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a) | proper alignments: |
i) | dimensions: |
1) | height - neck level |
2) | depth - elbow bent (not hyper-extended) |
3) | width - center of body |
ii) | body alignments: |
1) | hand: |
A) | rotated to be diagonal outward |
B) | rotated to be diagonal downward |
C) | finger pointed diagonally forward |
2) | wrist kept straight (not bent up / down and / or side-to-side) |
3) | elbow anchored (well below hand height) |
4) | shoulders - relaxed |
5) | upper body / hips - Neutral Bow rotation |
6) | legs / feet - Neutral Bow rotation |
iii) | Point of Contact - side of hand |
iv) | stance - Neutral Bow |
b) | proper formation - weapon (hand): |
i) | hand - kept flat (not cupped) |
ii) | thumb: |
1) | pressed tightly against rest of hand (Compact Unit) |
2) | bent at top knuckle |
3) | not tucked forward onto palm |
iii) | fingers: |
1) | extended and relatively flat (muscle tension bend allowable on impact) |
2) | kept together (Compact Unit) |
c) | execution: |
i) | Method of Execution - Hammering |
ii) | execute directly to target (prevent cocking) |
iii) | improper execution: |
1) | incorrect speeds / methods: |
A) | executed too slow (transforms into push with side of hand) |
B) | executed too fast (stance settle unable to keep up with strike) |
C) | executed too tense (unable to achieve proper 'snap' of strike) (strike looks 'pushed' out) |
D) | strike not tensed at Point of Contact (improper timing / never tensed) |
2) | incorrect alignments / angles: |
A) | elbow not properly anchored (always kept well below hand) |
a) | Common execution errors: |
i) | cocking the hand back toward the shoulder area just prior to executing the strike in an attempt to gain extra Path of Travel and/or rotation for the strike |
a) | Common formation errors: |
i) | allowing the thumb to be separated from the fingers |
Example of a proper hand-sword (left)
Example of proper hand-sword formation
Example of improper hand-sword formation
thumb not tucked, thumb over tucked, fingers spread
Examples of improper hand-sword execution
improper height - high / low, depth - close / far,
elbow out, rotation - over / under