Forms and Sets > Short Form 3 > Execution > Form Coordination

Transition Coordination concerns the synchronization between self-defense techniques. In many respects, transition coordination shares a lot of the same characteristics as self-defense technique coordination. In fact, it is easy for one just combine them together; looking at them as almost the same thing. Two of the same elements that determine form pace. But that would be unwise, because each category of coordination has its own important contributions to proper form execution.

Transition coordination can only be manifested in a limited number of ways. Depending upon desire, one could move seamlessly from one technique to another without delay. Or, one could put pauses between each of the techniques, making the entire form more staccato and less fluid. Alternatively, one could implement a combination of the two extremes, putting pauses in some places while seamlessly transitioning in other places.

Like self-defense technique coordination, transition coordination is considered to be non-destructive in nature. Regardless of how transition coordination is manipulated, each of these coordination alterations will ultimately result in a different feel to the form and could elicit a different overall impression of the form from the observer(s). Yet, the form's intended information would not be appreciably altered.

In general terms, transition coordination, once set, is held relatively consistent throughout the execution of the form. Typically, one does not transition smoothly from technique to technique and then slow down or delay in other areas of the form. Although transition coordination can be implemented this way, it typically is not done during the idealized style of execution. But, this large variation in coordination timing may sometimes appear in certain stylized executions of the form.

Also like self-defense technique coordination, transition coordination is a major element to form pace. Slower transitions and/or longer delays give the effect of a slow pace. And conversely, a faster transition and/or lack of delays results in a faster overall pace to the form. Furthermore, long (or slower) transition delays can make the form take on more characteristics of a hard style martial art, where shorter delays can give it a more flowery (and smooth) disposition. This fact can be used to the practitioner's advance in specialized cases; eliciting a desired response from an observer.

Transition coordination combined with self-defense technique coordination set the form's overall pace. Varying either of these two elements can and will dramatically alter the form's performance and interpretation. It is imperative that the practitioner comprehends the importance of coordination, in general, and the different types and ways it can be controlled to enhance or detract from the form's execution. It is by far the most important element of a form in which the practitioner has complete control.