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<< Click to Display Table of Contents >> Navigation: Welcome to the KenpoPedia > Forms > Form 5 > Appendix A - Quiz Answers |

This section presents the answers to the quizzes. Each answer section coincides with the order in which a quiz was presented earlier in the guide.
It is recommended that one not just move to the answers to the quizzes, but instead actually take the quizzes. Then if one is stumped by a question or just wishes to check their answer for correctness, then they should refer to this section.
1) |
f |
•the Diamond Stance, Concave Stance, and Reverse Neutral Bow are the main theme stances of Form Five |
2) |
j |
•the final maneuver demonstrates both the opposite stance (to the opposite line) and opposite body directions (right-to-left / left-to-right) |
3) |
b |
•this theme is related to the "out--of-position" theme due to hanging hands representing an unready position |
4) |
a |
•this theme is illustrated by the various stomps, isolation sequences, and maneuvers that emphasize the lower body |
5) |
c |
•this theme is a progression to Form Four; by leaving the potential opponent in a compromised stance / position |
6) |
f |
•although each of the answers (up to d) are concepts of American Kenpo none of them are themes of Form Five |
7) |
b |
•although "3-on-line" is a theme of other forms, it is also a theme of Form Five |
8) |
e |
•Form Five can be referred to by any of the answers (up to d) |
9) |
e |
•each answer (up to d) is a correct statement |
10) |
e |
•each answer (up to d) is a correct statement |
11) |
e |
•each answer (up to d) is a correct statement |
12) |
e |
•each answer (up to d) is a correct statement |
13) |
e |
•each answer (up to d) is a correct statement |
14) |
e |
•each answer (up to d) is a correct statement |
15) |
e |
•each answer (up to d) is a correct statement |
16) |
e |
•each answer (up to d) is a correct statement |
17) |
e |
•each answer (up to d) is a correct statement |
18) |
e |
•each answer (up to d) is a correct statement |
19) |
e |
•each answer (up to d) is a correct statement |
20) |
e |
•all of the isolation sequences can be related to each other |
21) |
f |
•none of the answers (up to f) are correct statements |
22) |
c |
•Hopping Crane starts with the potential opponent in a position of disadvantage |
23) |
d |
•Brushing the Storm demonstrates the "Figure 8" theme with both the upper and lower extremities |
24) |
f |
•the closing hand maneuvers both demonstrate the "out of position" theme and the "upper and lower body moving in opposing directions" themes of the form |
25) |
d |
•without the extension maneuvers, the "take-down" theme would be missing from the technique (the "3-on-line" theme is demonstrated in the base maneuvers) |
26) |
h |
•the extension maneuvers both demonstrate the original way the technique was executed (before being shortened) and the extension maneuvers demonstrate the "3-on-line" theme (not the base maneuvers) |
27) |
g |
•without the modified maneuvers, the "lower body" (stomp) theme and "3-on-line" theme would be missing from the technique - hopping is introduced in Form 4 |
28) |
h |
•none of the answers (up to f) are correct statements: - the chicken kick is introduced in Form 4 (Prance of the Tiger) and the themes sighted are satisfied by the base part of the technique |
29) |
e |
•each answer (up to d) is a correct statement |
30) |
g |
•each answer (up to f) is a correct statement |
31) |
e |
•hops require leaving the ground and launch and land on the same foot: the remaining answers (c,d) are incorrect statements |
32) |
e |
•leaps require leaving the ground and launch and land on both feet: the remaining answers (c,d) are incorrect statements |
33) |
e |
•jumps require leaving the ground and launch and land on the opposite foot: the remaining answers (c,d) are incorrect statements |
34) |
e |
•not all of techniques are executed with extensions and whether the form has isolation sequences or not does not answer the question posed - the other answers (a,b) are true statements |
35) |
e |
•each answer (up to d) is a correct statement |
36) |
h |
•the relationship is direction of destabilization (face up vs face down) - each answer (up to g) fits this relationship |
37) |
d |
•Back Breaker specifically demonstrates both elements of this concept |
38) |
f |
•each of the answers (up to e) demonstrate a single to double sequence relationship (note: the ones are absent from this analysis because they only deal with a 1-in-1 timing) |
39) |
c |
•the relationship is how destabilization done - Destructive Fans (bottom to bottom) - Falling Falcon (both top and bottom together) / Leaping Crane (bottom to bottom) - Sleeper (both top and bottom together) |
40) |
f |
•each answer (up to e) are true statements |
41) |
c |
•Form Five was added a short time after Form Four |
42) |
b |
•the added left cat stance demonstrates the opposite of the added right cat stance in Long Form One |
43) |
d |
•looked at from a higher point of view there are: the ones / the twos / the threes / Form Four / Form Five - the fifth level of progression |
44) |
b |
•Short Form Five is purposely left open for the student to create |
45) |
d |
•all of the answers (up to c) are true statements |
46) |
e |
•all of the answers (up to d) are true statements |
47) |
c |
•"man-made weapons" are the next progression and a major theme of the next form |
48) |
o |
•every maneuver sequence of the form demonstrates the "3-on-line" theme |
49) |
d |
•Isolation Sequence #1 does not adhere to the "out of position" theme of the form and continues directly from the conclusion of Leap of Death |
50) |
d |
•Isolation Sequence #1 does not adhere to the "take-down" theme of the form, because the potential opponent is considered already on the ground |
51) |
a |
•if executed as part of the self-defense technique curriculum, the ending of Destructive Fans is relatively the same sequence as the ending of Dance of Darkness and can be used interchangeably - and thus demonstrating a natural continuation of the base sequence |
52) |
d |
•the initial take-down of Leaping Crane is designed to take the potential opponent to their knees and not horizontally on to the ground |
53) |
c |
•both Hopping Crane and Darting Leaves are in the forms as self-defense techniques but not part of the self-defense curriculum |
54) |
a |
•although b-d are correct statements they have nothing to do with why there is no defensive maneuver - instead, the opposite is the potential opponent being prone, instead of us (an opposite) |
55) |
d |
•In Hopping Crane, the potential attacker starts from a disadvantaged position; in Bowing to Buddha the defender starts from a disadvantaged position |
56) |
c |
•Although Hopping Crane could be transformed into a self-defense technique, it demonstrates offensive maneuvering (no need for defense) and therefore was not placed into the curriculum of the self-defense techniques |
57) |
e |
•all of the answers (up to d) are true statements |
58) |
d |
•the shovel kick with the retraction of the arms (after the sweep / take-down) is specifically done with this timing to adhere to the theme of opposing movements (forces) |
59) |
a |
•The only techniques executed the same within the form and in the self-defense curriculum are: Dance of Death (original version - i.e. with extension) and Leap of Death - Hopping Crane not part of the self-defense curriculum |
60) |
e |
•Destructive Fans hides the overhead claw / Sleeper obscures the application of the final maneuvers / Falling Falcon obscures the application of the final kicking maneuvers / Circling the Horizon obscures the real application of the extension maneuvers / Leaping Crane obscures the correct application of the neck break |
61) |
d |
•Destructive Kneel is the only technique of Form Four that executes a definitive take-down (not just a potential take-down) |
62) |
a |
•Destructive Fans (middle zone) / Dance of Death (low zone) / Circling the Horizon (high zone) |
63) |
f |
•both techniques demonstrate framing in the same way |
64) |
j |
•the stance that these techniques share is the kneel |
65) |
e |
•the first half of the form emphasizes Complimentary Forces, the second half emphasizes Opposing Forces |
66) |
c |
•although Bowing to Buddha and Prance of the Tiger are in Form Four, they can be considered previews of things to come for a minor theme of Leaving the Ground of Form Five |
67) |
e |
•each of the answers (up to d) take the potential opponent down in opposite directions - forward and backward |
68) |
b |
•Dance of Death demonstrates the reverse line (backward-forward) after the block and the opposite dimension (horizontal-vertical) after the outward-downward back-knuckle (and before the final stomp) |
69) |
a |
•the hidden motion represents flipping the potential opponent from a face-up position to a face-down position using the potential opponent's foot (against the angle, knee, and hip joints) |
70) |
c |
•the direction of neck break is reversed to change the break / hand-sword from impractical to effective (which also changes Leaping Crane's neck break from the reverse line in relation to Back Breaker's - to the same relative line) |
71) |
b |
•Leap of Death disregards the general rules of "no two to one" on the potential opponent and "don't leave the ground" (e.g. establish a stable base), but does so due to the situation of being properly zoned on the potential opponent (both standing and on the ground) |
72) |
i |
•Falling Falcon expands upon the theme of applied maneuvers (grabbing), but also adheres to the themes of take-downs and lower body dominant maneuvers of Form Five - which are also prime reasons why it is included in Form Five |
73) |
f |
•Hopping Crane demonstrates the opposite of the major themes of Short Form One in the following ways: •offense only vs defense only •advancing vs retreating •use of the rear weapon vs use of the front weapon |
74) |
b |
•Dance of Death uses the push-down to pin (and potentially hit) •Leap of Death uses the push-down to strike (and potentially pin) •Brushing the Storm uses the push-down to help in destabilization and check zones (pressing check) |
75) |
e |
•the isolation sequences expand upon Short Form One in the following ways: •defense only - demonstrates reverse (offense only) •front hand only - demonstrates new combinations (of front and rear) •1-in-1 - demonstrates new 1-in-1 combinations •retreat only - demonstrates reverse (advance vs retreat) |
76) |
d |
•the general theme of threes is demonstrated in a variety of ways in the forms |
77) |
k |
•Brushing the Storm ratchets from long to short (vertically) and Leaping Crane ratchets from short to long (horizontally) |
78) |
k |
•Circling the Horizon does 3-on-line to the high-middle-low zones - Leaping Crane demonstrates low-middle-high zones |
79) |
e |
•each answer (up to d) is an expansion to the use of the 'cup and saucer' position |
80) |
c |
•Leap of Death demonstrates double maneuver reverse motion - Back Breaker demonstrates single maneuver reverse motion |
81) |
e |
•each answer (up to d) is demonstrated with this foot maneuver sequence |
82) |
e |
•each answer (up to d) is demonstrated with this hand maneuver sequence |
83) |
e |
•each answer (up to d) is correct because: •Glancing Spear / Leap of Death = applied / in-flight attack - Destructive Twins / Protecting Fans = applied / in-flight attack •Glancing Spear / Leap of Death = short / long range lock (break) to elbow - Destructive Kneel / Leaping Crane = short / long range buckle to (back of) knee •Glancing Spear / Leap of Death = push / pull maneuvers - Dance of Death / Twirling Hammers = push / pull maneuvers •Glancing Spear / Leap of Death = incomplete (removed) / complete (all) maneuvers of base technique - Back Breaker / Thrusting Wedge = incomplete (removed) / complete (all) maneuvers of base technique |
84) |
d |
•each of the maneuver sequences are predominantly double maneuvers |
85) |
f |
•each answer (up to e) demonstrates a low - middle - high height zone combination |
86) |
g |
•although each of the answers are legitimate concepts none of them are represented in Dance of Death |
87) |
e |
•this is one reason why the stomp was purposely omitted from Back Breaker's execution |
88) |
g |
•although a & b are reasons for modification (a = hide maneuver / b = Complimentary vs Opposing Forces theme), they are worded with a negative framing |
89) |
f |
•an environmental object is any physical object (natural or man-made) that is in, on, or around you |
90) |
e |
•each answer (up to d) is correct |
91) |
c |
•Leap of Death adds single (same hand) (horizontal) - Back Breaker adds double (vertical) (reverse sequence) - Sleeper adds single (both hands) (vertical) (reverse sequence) |
92) |
b |
•the touching of the signifying hand to the back-stop hand is typically done to indicate a modification to the form will be demonstrated - in the case of Form Five this is done to indicate that Form Five is an extension form to the base system |
93) |
f |
•each of the answers (up to d) could be said about other forms of the system |
94) |
a |
•shovel kicks are a sophisticated maneuver executed with the foot |
95) |
c |
•Gravitational Marriage is highlighted through the theme of Leaving the Ground and stomping maneuvers |
96) |
i |
•Form Five adds the ball of the foot as a contact point and using the rear foot for stomping |
97) |
d |
•each answer (up to c) is correct |
98) |
d |
•each answer (up to c) is correct |
99) |
g |
•each of the maneuvers listed where introduced in a previous form |
100) |
d |
•each answer (up to c) is correct |