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Transition coordination, as its name implies, is concerned with the transition between defined groupings (i.e. self-defense techniques and isolation sequences) of the form. This form of coordination can be understood to be at a higher level than both maneuver and self-defense technique coordination, but it shares most of the same concerns of these other categories.

 

Transition coordination can only be manifested in a limited number of ways. Depending upon desire, one could move seamlessly from one technique to another without delay or put pauses between each of the groupings. Alternatively, one could implement a combination of the two extremes, putting pauses in some places while seamlessly transitioning in other places. Undeniably, each option would produce a different outcome to the overall form.

 

And, like all coordination, transition coordination is also considered to be non-destructive in nature. Regardless of how transition coordination is manipulated, each of these coordination alterations will ultimately result in a different feel to the form and could elicit a different overall impression of the form from an observer. Yet, the form's intended information would not be appreciably altered.

 

Similar in nature to self-defense technique coordination, once a coordination is set, it is generally held relatively consistent throughout the execution of the form. Typically, within American Kenpo forms, one does not vary transitional coordination throughout the form's executions. Although transition coordination can be implemented this way, it typically is not done during the idealized style of execution. But, this large variation in transition coordination may sometimes appear in certain stylized executions of the form.

 

Also, like other forms of coordination, transition coordination is a major element to form pace. Slower transitions and/or longer delays give the effect of a slower pace. And conversely, a faster transition and/or lack of delays results in a faster overall pace to the form. Furthermore, long (or slower) transition delays can make the form take on more characteristics of a hard style martial art, where shorter delays can give it a more fluid disposition. This fact can be used to the practitioner's advance in specialized cases; eliciting a desired response from an observer.

 

Ultimately, it is imperative that the practitioner comprehends the importance of coordination as a major factor in form execution. One should become distinctly aware the different types and the ways in which it can be manipulated to enhance or detract from the form's execution and perception. In short, coordination is one of the most important elements of a form in which the practitioner has complete control.